Schiaparelli and Prada: Impossible Conversations

I’ve long been a Schiaparelli fan, and who doesn’t like Prada?  So it was with great interest I read last fall about Impossible Conversations: Schiaparelli and Prada, an imaginary thread woven to link two that have made fashion history.  Schiaparelli, unfortunately, had her path shadowed by Coco Chanel, who was said to have taken much of Schiaparelli’s work and made it more mainstream.  Prada was said to have been disapproving of the way the exhibit, so I’m even more intrigued!  Open now through August 19th, it’s just another reason to get to New York before Fashion Week.

On View May 10–August 19, 2012

The Met’s Spring 2012 Costume Institute exhibition, Schiaparelli and Prada: Impossible Conversations, explores the striking affinities between Elsa Schiaparelli and Miuccia Prada, two Italian designers from different eras. Inspired by Miguel Covarrubias’s “Impossible Interviews” for Vanity Fair in the 1930s, the exhibition features orchestrated conversations between these iconic women to suggest new readings of their most innovative work. Iconic ensembles are presented with videos of simulated conversations between Schiaparelli and Prada directed by Baz Luhrmann, focusing on how both women explore similar themes in their work through very different approaches.

The exhibition showcases approximately ninety designs and thirty accessories by Schiaparelli (1890–1973) from the late 1920s to the early 1950s and by Prada from the late 1980s to the present. Drawn from The Costume Institute’s collection and the Prada Archive, as well as other institutions and private collections, signature objects by both designers are arranged in seven themed galleries: “Waist Up/Waist Down,” “Ugly Chic,” “Hard Chic,” “Naïf Chic,” “The Classical Body,” “The Exotic Body,” and “The Surreal Body.”

Schiaparelli, who worked in Paris from the 1920s until her house closed in 1954, was closely associated with the Surrealist movement and created such iconic pieces as the “Tear” dress, the “Shoe” hat, and the “Bug” necklace. Prada, who holds a degree in political science, took over her family’s Milan-based business in 1978, and focuses on fashion that reflects the eclectic nature of Postmodernism.

Have you gone? What did you think?

My Schiaparelli Shocking perfume bottles (and Gaultier, which appears to have been inspired by)

Here’s the other reason, for the kid: Spiderman: Turn off the Dark (but I hear a spoof is coming soon too!)